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The Order review: a gripping true-crime thriller that will unsettle you
The Order is a gripping, haunting, and unfortunately necessary true-crime thriller.
Venom: The Last Dance review: a disappointing finale for Sony’s Spidey villain franchise
Venom: The Last Dance brings Tom Hardy and Sony's symbiote adventure to an unfortunately disappointing close. The comic book film is now playing in theaters.
Anora review: an exuberant, heart-wrenching adrenaline rush that’s an instant classic
Sean Baker's Anora is an instant 5-star classic. The film is now playing in theaters.
Smile 2 review: a messier, bolder horror sequel
Smile 2 is bigger, bolder, and considerably messier than the horror franchise's first film. It is now playing in theaters.
Saturday Night review: A Saturday Night Live origin story that plays it too safe
Jason Reitman assembles a giant, game ensemble for Saturday Night, a SNL origin story that's a little too reverent and tidy.
Tomb Raider: The Legend of Lara Croft review: a surprisingly good video game spinoff
Netflix's Tomb Raider: The Legend of Lara Croft is an entertaining, visually striking series that actually does right by its iconic protagonist.
The Franchise review: A sharp satire that skewers MCU and DC superhero movies
The Franchise is a smart, appropriately silly takedown of the Marvel-ification of Hollywood. The new series premieres Sunday, October 6 on HBO.
Joker: Folie à Deux review: an oddly timid musical sequel
In Joker: Folie à Deux, Joaquin Phoenix reprises the role of a misfit wallflower killer in a genre-bending sequel too cautious to really go for it.
Salem’s Lot review: a bloody, disappointing Stephen King adaptation
Salem's Lot will leave both horror and Stephen King fans alike yearning for a better adaptation. The new vampire film is streaming now exclusively on Max.
Apartment 7A review: This Rosemary’s Baby prequel falls flat
Apartment 7A is an unnecessary Rosemary's Baby prequel that fails to recapture the unsettling magic of its parent film. Both are streaming now on Paramount+.
Megalopolis review: Francis Ford Coppola’s flawed, insane sci-fi opus
From the director of The Godfather comes Megalopolis, a sci-fi epic 40 years in the making that trips on its own ambitions.
Wolfs review: This slight comedy caper is no Ocean’s Fourteen
George Clooney and Brad Pitt's Wolfs is better as a hang-out movie than a crime thriller. The film is now playing in select theaters and streaming on Apple TV+.
The Substance review: the grossest movie of 2024 is also one of its best
Demi Moore plays an aging actress who falls into a mutating nightmare in the superbly disgusting satire The Substance.
Transformers One review: a colorful, forgettable prequel
Transformers One is a beautifully animated but forgettable addition to an already one-note franchise.
The Penguin review: HBO’s Batman spinoff works surprisingly well
HBO's The Penguin is the rare franchise spinoff that manages to stand on its own.
Agatha All Along review: a witchy romp that’s Marvel’s best show in years
Agatha All Along is Marvel's best show in years. But does it live up to its own potential?
This 2024 movie is a lo-fi Jason Bourne paranoid thriller you need to watch (if you can)
The director of Hell or High Water returns to Toronto with a throwback paranoid thriller that loses its edge as it goes.
This movie might just be 2024’s most unnerving action thriller
Kiyoshi Kurosawa, the Japanese director of Pulse and Cure, gets his visual mojo back with this strange action thriller about internet greed and wrath.
Beetlejuice Beetlejuice review: a spirited sequel that (mostly) lives up to the original
Tim Burton's Beetlejuice Beetlejuice is a fun, stylish sequel that marks a much-needed return to form for the director.
Slow Horses season 4 review: The best show on TV ups the ante
Apple TV+'s Slow Horses returns this week with another intelligent, thrilling espionage adventure.
The Lord of the Rings: The Rings of Power season 2 review: a vast improvement
The second season of The Lord of the Rings: The Rings of Power is more beautiful, tragic, and altogether better than the Prime Video series' lackluster debut.
Only Murders in the Building season 4 review: a thrilling return
Only Murders in the Building returns this week with its funniest and most thrilling season to date.
The Crow review: a goth remake that never really comes alive
Rupert Sanders' remake of The Crow, starring Bill Skarsgård and FKA Twigs, is an undercooked, but watchable blend of ideas without much thought put into them.
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